I miss the un-digital, the pre-electric Miles between notes, cool, acoustic, low-tech vinyl groove. I miss the zen of black and white, the intimate first-take single-track time when daisies split East village asphalt. Trench coat Monk and Trane's supreme love, Dexter's breath, the blow of the heart through a mouthpiece of gold. Un-Fendered gut, the strung out modal solo, Scotch, no rocks, Cafe Montmartre, flatted ninth, ex-patriot bruise, Jazz Messengers, 1958. Blue, kind of, Williamsburg Bridge where Sonny practiced lonely tunes all night to the windy moon, and the not so special effects of Harlem River sunrise muted through raindrops on a Yellow Cab at 5 AM still waiting outside Birdland.